Reading List
Aurand, M. (Spring 2011). Teaching and learning with collections: The library as a site for exploration and inspiration. Art Documentation, 30(1), 12-20.
Baddeley, O., et al. (Eds.) (2011). The currency of art: A collaboration between the Baring Archive and the CCW, Bright 3. London: CCW Graduate School.
Breakell, S. and Worsley, V. (2007). Collecting the traces: an archivist’s perspective. Journal of Visual Arts Practice, 6(3), 175–189, doi: 10.1386/jvap.6.3.175
Buchanan, A. (October, 2012) The currency of art: A collaboration between the Baring Archive and the Graduate School of CCW, Bright3. Journal of the Society of Archivists, 33(2), 224-226.
Campany, D. (Ed.). (2003). Memories and archives. In Art and photography. New York: Phaidon.
Cvetkovich, A. (2011). The queer art of the counter archive. In Cruising the archive: Queer art and culture in Los Angeles, 1945-1980. Frantz, D. & Locks, M. eds. Los Angles: ONE National Gay and Lesbian archives.
Donnelly, S. (Spring 2008). Art in the archives: An artist’s residency in the archive of the London School of Economics. In Tate Papers. Retrieved from
Enwezor, O. (2008) Archive fever: Uses of the document in contemporary art. New York: International Center of Photography.
Foster, H. (Fall, 2004). An archival impulse. October 110, 3-22.
Glasgow School of Art. (2013). Archives and Collections Centre. Retrieved from
http://www.gsa.ac.uk/about-gsa/library-learning-resources/archives-collections-centre
Hogan, E. (2011). “The currency of art” in Baddeley, O., et al. (Eds.) The currency of art: A collaboration between the Baring Archive and the CCW, Bright 3. London: CCW Graduate School
Littrell, L. (2001). Artists: The neglected patrons? ACRL Tenth National Conference, 291-294.
London School of Economics. (November 1, 2004). BIOS centre hosts exhibition with artist in residence Ruth Maclennan in News and Media. Retrieved from
http://www2.lse.ac.uk/newsAndMedia/news/archives/2004/ArtEvent.aspx
Magee, K. & Waters, S. (2011). Archives, artist and designers. Journal of the Society of Archivists, 32(2), 273-285.
Miller, B. (January 21, 2009). Awaken re-interprets archives at Glasgow School of Art. Culture 24, Retrieved from http://www.culture24.org.uk/art/craft/textiles/art64654
Mulligan, S. (Fall 2011). Lost in history. Journal of the Society of North Carolina Archivists, 9(1), 46-49
Osthoff, S. (2006). Elsewhere in contemporary art: Topologies of artists’ works, writings, and archives. Art Journal, 64(4), 6-17.
Stone, J. and Taylor, C. (Winter 2008). Human geography. Discover NLS, 7, 16-19
Taylor, D. (2003). The archive and the repertoire: Performing cultural memory in the Americas. Durham: Duke University Press.
Taylor, H. (October, 1979). Documentary art and the role of the archivist. American Archivist, 42(4), 417-428.